Dream Theater - When Dream and Day Unite (MCA) 1989
1."A Fortune in Lies"
This disc was recorded with vocalist Charlie Dominici. I've heard some people claim that this disc is their best. While I would agree that it is pretty darn good, it comes no where near the brilliance, the musicianship, and the power of "Images and Words." Still, this is a great progressive metal album that will always rank at the top of it's genre.
Dream Theater - Images and Words (Atco) 1992
1."Pull Me Under"
This is simply an amazing album. It combines the best elements of commercial hooks with superior technicality and musicianship and a great production. New vocalist James LaBrie has a great range and in my opinion blows away Charlie Dominici. "Images and Words" is without a doubt one of my favorite albums of any band and the album by which all other prog-metal is measured.
Dream Theater - Live at the Marquee (Atco) 1993
A nice live package. What makes it especially cool is that James LaBrie sings two songs from "When Day and Dream Unite" ("Fortune in Lies" and "Killing Hand") proving that he is one incredible vocalist.
Dream Theater - Awake (East-West) 1994
Another monumental prog-metal album, although it contains so much more musical variety than just heavy metal. I don't exactly know what to say about albums that are this good, other than that if you don't already have it, you are missing out. One note though, this disc is a bit less commercial than "Images and Words" which in some people's books, makes it better.
Dream Theater-A Change of Seasons (East-West) 1995
1."A Change of Seasons"
Song one is another state-of-the-art progressive-metal/rock song that could have easily fit on either of the last two albums. What makes this disc so cool, however, is the last four tracks which are recorded live from a gig at Ronnie Scott's Jazz Club in London, England, where they played nothing but cover songs by some of their favorite bands. (Which also happen to be some of mine.). "Funeral" is by Elton John, "Strangers" is by Deep Purple, and "The Rover/Achilles Last Stand/The Song Remains the Same" is a Led Zeppelin medley. The "Big Medley" covers artists in this order: Pink Floyd, Kansas, Queen, Journey, Dixie Dregs, and Genesis. The one thing that does bug about this disc is that it does not include ALL the songs they played at this gig and leaves off a fantastic Yes medley that included "Machine Messiah", "Heart of the Sunrise", "Close to the Edge", "Siberian Khatru", and "Starship Trooper." What makes it even worse is that Steve Howe joined the band on stage for this jam. Argh! Perhaps someday the rest of the songs will be officially released as now they are only available as bootlegs.
Dream Theater-Falling into Infinity (East West) 1997
Hmm, didn't like this one much. As a matter of fact, I never listen to it any more. I dunno, I just think producer Kevin Shirley was the wrong man for the job. "Trial of Tears" probably my favorite song on this disc, however, even it does not compare to "Awake" or "Images and Words."
Dream Theater-Once In a LiveTime (East West) 1998
Very cool, slickly produced live offering that samples songs from almost all of their studio albums. They also insert some parts of songs from some of their musical influences, which was surprising and very cool. "Take the Time" ends with a "Free Bird" jam (Lynyrd Skynyrd) and a bit of Led Zeppelin's "Moby Dick"; "Peruvian Skies" includes brief riffs from Pink Floyd's "Have a Cigar" and Metallica's "Enter Sandman." Overall, a great album by one of the best band's to grace this planet. Truly a gift from God!
Dream Theater-Metropolis Pt.II: Scenes from a Memory (East West) 1999
Dream Theatre return to doing what they do best, progressive metal infused with many different influences. I suppose that "Falling Into Infinity" was more of a mis-step than the beginning of a downward spiral. To tell you the truth, however, this album didn't jump out at me like "Images and Words." It took some time to grow on me, but grow on me it did. Simply fabulous. I'm sure in time, as it becomes more and more familiar, it will be one of my favorites. Right now, however I will just have to give it repeated listens as there is so much to digest.
Dream Theater - Six Degrees of Inner Turbulence (Elektra) 2002
Two discs and only six songs. Man, those are some long 'ol songs! Surprisingly, unlike the band's last few discs, I found this disc to be somewhat infectious right away. While the technical, progressive songwriting is still there, I think the band has re-discovered 'the hook'. Disc one starts off with one of the band's most infectious and heavy songs since "Pull Me Under". "The Glass Prison" is probably the band's heaviest song to day, however, it is also the most modern sounding song ever. Certainly DT still sound like DT, but I detect some nu-metal influences here, particularly the "scratching" in the middle of "The Glass Prison" and some of the vocal effects used at the beginning of the song. However, nu-metal this song is not. Despite the presence of some modern influences, this song is 100% Dream Theater-progressive heavy metal.
Kudos! Well said!
The rest of the disc follow
suite quite nicely. There are some mellower moments, plenty of tempo and time
changes, lots of variety and all the other aspects of progressive metal that
Dream Theater and Fates Warning helped to perfect. "Blind Faith" is a grungy, keyboard drenched number
that at times reminds me of Deep Purple and Led Zeppelin. Petrucci's guitar
solo in this
Dream Theater - Train of Thought (Elektra) 2003
1. "As I Am"
As much as I loved Dream Theater in the the early to mid-1990's, I grew bored with them as they began to write albums that seemed to exist simply to prove how diverse, talented and technical they can be. The infectious song writing that was present on "Images & Words" and "Awake". While I still enjoyed their follow-up album, I found that I would grow bored with them rather quickly and they would soon be relegated to dust collectors. When I was in the mood to revisit Dream Theater, I almost always pulled out "Images & Words" or "Awake" before I'd pull "Six Degrees of Inner Turbulence " or "Metropolis Pt.II" off the shelf. Well, "Train Of Thought" is yet another proof of the diversity, talent and technicial ability of this band, however, I think the band has succeeded in creating an album that is heavier, slightly more song oriented, but still every bit a progressive jam. Heavier? Absolutely. Petrucci has never sounded so heavy. Jams? You bet! After all most of the songs are over ten minutes in length. Fans of progressive rock and metal probably were drooling over the epic length of these songs. However, even though most of the songs are over ten minutes in length, the tunes flow rather well and held my attention on the first listen. This was bit surprising to me as I usually have to give any Dream Theater CD several spins before I can begin to totally appreciate it. "As I Am" and "Endless Sacrifice" seem to be the standout cuts in my opinion, but the entire CD is a good listen. There was one point in "Honor Thy Father" that I found a bit at odds, when James Labrie did this almost nu-metalish rap thing, however this lasted for only for a few moments. I don't think longtime fans will be disappointed, but I also think that Dream Theater may gain a few new fans as well.
Dream Theater - Octavarium (Atlantic) 2005
1. The Root Of All Evil
[vi. Ready, vii. Remove] (8:25)
Dream Theater are a band that I love and hate. I mean, when I bought "Images and Words", I swore I'd be a Dream Theater die hard. Yet with each album it seem the band too the "prog" tag a step too far. For me it seemed that the band sacrifice memorability for progressive showoffsmanship. (Is that a word? LOL!) Despite this, Dream Theater seems to have become a fan favorite. In many fans eyes, they can do no wrong. To say anything negative about the almighty Dream Theater is to commit blasphemy in the eyes of the average fan. My problem is mainly that I like their CDs initially, I also find that none are able to remain consistently interesting, thus I loose interest. Because of this, I have put off buying newer Dream Theater albums. This time around it wasn't until after I saw that band on Gigantour that I secured a copy of "Octavarium". At that, I wasn't in a rush because, quite frankly, the band put me to sleep during their performance.
So what of the CD? Well, quite frankly, I am liking it on the first few listens. It seems some of Dream Theater's best songs are on here. "The Root of All Evil" may actually be my favorite song I've heard from these guys in a long while. Whether it remains a favorite is yet to be seen. I think what is working in the band's favor here is that this particular song is pretty much just straight forward metal. The song also offers some heartfelt vocals and lyrics about the pains of alchoholism. "Panic Attack" is a bit more aggressive than the band has been in a while. The ballad "The Answer Lies Within" is another definite highlight. So, on the first few listens, I can say I like this CD. Whether "Octavarium" will hold over time remains to be seen.
Dream Theater - When Dream And Day Reunite (Ytsejam Records) 2005
1. "A Fortune In Lies" (5:23)
Dream Theater get accused of many things, but one thing they are not is a sloppy band. This one time performance of Dream Theater's debut album "When Dream And Day Unite" performed in its entirety is simply outstanding. I'm not even sure I don't like this live version better than the official studio version with vocalist Charlie Dominici. Frankly, I hadn't actually give their debut a spin in some time but upon listening to this live release it reminded me of just how good that debut was. The album was recorded in Los Angeles on March 6th 2004 to commemorate the 15th anniversary of the release of "When Day and Dream Unite". Also included from this historic evening is the two song encore featuring former DT members, vocalist Charlie Dominici and keyboardist Derek Sherinian. The live version of "Metropolis" is outstanding and worth the price of admission by itself. This "official bootleg" was released independently by Dream Theater and sold on their web site. Despite the "bootleg" tag on the album, it is a high-quality release, factory pressed on high quality CDs (not CDRs) and includes a nice full-color, 8-page booklet containing photos from this show as well as a short write-up about the release from Mike Portnoy.