In 1978, prompted by his wife, Joe Perry decided to leaves Aerosmith's. Is this a bad thing? Of course it is, but at least we were blessed with a few awesome solo albums while he was absent from America's greatest rock and roll band. "Let the Music Do the Talking" was produced by Jack Douglas, who had also produced some of Aerosmith's best works such as "Rocks" and "Toys in the Attic". "Let the Music Do the Talking" is a guitar album that would rival anything put out by Jeff
Beck, Jimmy Page, or Eric Clapton. (All of whom are heroes of Joe Perry.) The rumor was that Joe originally intended to call the album "Guitar Wars." That would have been an appropriate title for this bombastic rock and roll record. The title track was a song Joe had written for Aerosmith's and was later re-recorded with Aerosmith for the "Done With Mirrors" LP. Personally, I think the Project version came out better. Joe
Perry Project - Do The Talkin Project (CDR bootleg)
Despite the wishy sound, this disc is actually one I enjoy listening to quite a bit due to the odd mix of material. I mean what Aerosmith fan can resist Joe Perry doing covers of Bo Diddley' "Pills" and Elvis Presley's "Heartbreak Hotel"? Joe introduces "Reefer Headed Woman" as a "song written by some friends of mine." While this show was a radio broadcast, the source for this show seems to be a very old tape or something. A disc for collectors only and Joe Perry diehards only.
Perry not content with making solo Aerosmith records changes gears slightly to give us one charged guitar album. I remember reading a review somewhere that said, "this is one loud, destructive jam!" Good description, could not have said it better myself. There are four heavy rockers in "East Coast, West Coast," "Soldier of Fortune," "South Station Blues," and the manic "Once A Rocker. "No Substitute for Ignorance," has some of the worst vocals I have ever heard. Actually I sort of wish Joe would just sing all his own songs. Joe Perry's vocals remind me of Ace Frehley, another guitar legend, who has that "can't sing/don't care" vocal style that somehow just works. On a side note, "Buzz, Buzz" had previously been recorded by bassist David Hull's band Dirty Angels. Singer Ralph Morman recorded an album titled "We Come to Play" for Capitol Records with Punky Meadows and Mickey Jones (of Angel fame) in Bux."South Station Blues" also showed up on the Aerosmith box set "Pandora's Box." I own this one on both CD and vinyl, complete with picture sleeve.
The Joe Perry Project - Live 4-9-82 (CDR bootleg) 1. "Interview 1"
(3:51) Vintage show from the Perry Project featuring the "Once A Rocker" line-up plus Brad Whitford. This line-up, of course, fueled the rumor of an Aerosmith reunion, which took place a few years later. In anycase, an excellent bootleg with decent sound quality from a radio broadcast. Joe Perry (Columbia) 2005 1. "Shakin¹ My
Cage" (4:13) I was quite anxious to hear some new solo material from Joe Perry. I still listen to the Joe Perry Project material regularly. I've always appreciated Joe's down to earth, blues based, guitar playing and song writing. His new solo excursion, modestly titled Joe Perry, isn't that far removed from his band's last effort "Honkin' on Bobo". In other words, this is exactly what you'd expect from Joe. This is a solo effort in the truest sense. Joe handles all the vocals, guitars, bass and keys with co-producer Paul Caruso handling the drums and percussion. As anyone who frequents this site knows, I am a huge Aerosmith fan, so I obviously have a bit of bias for Perry, but I can't really see why any fan of good guitar driven rock n roll wouldn't enjoy this album. "Shakin' My Cage" is a smokin' album opener. The only thing that might have improved it is Tyler on the mic. While I dig Joe's "can't sing-don't care" vocal style, there is no denying that the Toxic Twins together create a lethal sound. "Push Comes To Shove" has a nice groove and it's a fun song. "Twilight" & "Mercy" are nice Instrumentals. "Twighlight" in particular reminded me of something off of Satriani's first album. It just has that ethereal quality. There are a few cover songs as well, including a respectful cover of Woody Guthrie's "Vigilante Man" and a trippy cover of the Doors' "Crystal Ship". "Push Comes To Shove" is another standout cut with a good groove. "Vigilante Man" has some of Joe's signature slide guitar work reminding me of some of his work with the Project and even some of Aerosmith's late 70's work. It's also worth mentioning that Sony put some money into the packaging here. On top of a nicely laid out, 4 color booklet with spot varnishes, the entire package is in one of the new Dual Disc jewel cases that are much nicer that the typical CD case. The DVD side of the disc features the entire album in 5.1 Surround Sound, exclusive in-the-studio, behind-the-scenes and interview footage and two UMixIt tracks. While this is a nice addition, it is the music I am most interested in. The DVD is one of those things I watched once and probably won't revisit very often. The CD side, howevever, will see plenty of playtime for years to come. Joe Perry – Have Guitar Will Travel (Roman Records) 2009 1. White Christmas [instrumental] (4:15)
2. Run Run Rudolph (2:59)
3. Silent Night [instrumental] (4:56)
4. Santa Claus Is Back in Town (3:38)
Short little four song Christmas EP from Joe Perry. All four songs here are well done, though I prefer the version of "Run Run Rudolph" Joe recorded back a few years ago. It was released as a free download for Christmas back in 2008. The version included here is shorter and contains less guitar work, in favor of some fun horn work. Both versions are very well done. Two of the four tracks here are instrumentals. Back in the 90's Joe also recorded and instrumental version of "Blue Christmas" for the Merry Axemas compilation.
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